Razer DeathAdder V3 Pro left me confused. It feels less for more. DeathAdder V2 supported both 2.4 and Bluetooth, a feature I liked to use, because it allowed me to switch between PC and laptop seamlessly. V3 supports only 2.4. V2 had a dongle storage. V3 doesn’t. V2 had RGB (which I didn’t use). V3 doesn’t. And now I’m expected to attach the grip tape myself? Why?
The only advantage is that V3 charges from USB-C, while V2 used micro USB.
A game makes a timejump 5 years. Timejumps aren’t new: Ocarina of Time pulled it, Breath of Fire 2 pulled it too. But I still respect every game that manages to do it properly. This one does.
Now our hero isn’t a teenager anymore, although that makes him resemble Dante now much more. I was also wondering why the game mentiones that the sword you find are “one-handed”, since they all were one-handed. This is why. As an adult, the protagonist can also weild two-handed swords. Nice.
Emil, the kid that is able to petrify with his stare, discovers that his mansion has a laboratory underneath (another Resident Evil reference), and there his sister, turned into a huge monster, is kept. And he was given his capabilities to stop her. The game perspective switches to 2.5D isometric ARPG-like for a while.
The siblings merge, Emil receives magic abilities, but now looks like a skeleton, a miniature version of his sister. I always thought that the skeleton on the cover is Grimoir Weiss personified.
With that, Kaine is un-petrified, and the monster she held sealed finally beaten.
10th whiskey from the Advent Calendar.
For its price, it is a very good whiskey. Sweet, if a bit sharp around the edges. With a bit of warmth.
The music in this game is something else, I must admit. Having vocals is not something many games try to pull out.
Bad mouthed Kaine is sure a good comic relief.
With her, we travel to a Sand City that has thousands of rules. Obviously the dungeon / temple puzzles are also based around following bizarre rules: no jumping in one room, no running or using magic in another.
And suddenly the game turns into a text adventure.
And then it mocks Resident Evil with its mansion and keys.
There we meet and kill Red Book, that doesn’t speak, though, and a boy, Emil, that can petrify with his gaze.
Then the village gets attacked. This episode is seriously technically impressive, with that huge boss chasing the hero:
We try to fend it off, but Kaine has to be sacrificed, turned into stone, to seal one of the Shades, and a dark twin of a protagonist appears alongside Grimoire Noir, which we were about to start chasing. Noir explains that it must unite with Weiss to bring Shades upon the world, but Weiss refuses. Still, protagonist gets stabbed, and Yona stolen by the Shadowlord.
Finished second season of Clarkson’s Farm.
Second season is mostly dedicated to cows. Some cows appear to be notoriously hard to get pregnant. And that means they have to be converted into burgers instead. And a single cow can feed 1000 people, apparently. Sounds like a lot. But 1000 people is not even a month of a restaurant opperation.
Also, there are badgers, that can transfer their tuberculosis to the cows, and are protected animals, so you can’t shoot them.
I love Salomon. Specifically, I love their X Ultra 4 so much that once I wore a pair down, I just bought a new pair.
And when I decided a need a mid Salomon boots, I at first just thought of buying the mid version of X Ultra 4. But then I decided to try something else.
It didn’t worked out. Got blisters in all the unexpected places. One above my thumb, another just above the ankle joint. And that wasn’t a rough walk, it was literally a walk in the park.
So I’m sending those back.
Next in line are X Ultra 360 now.
Completed Call of Duty Vanguard.
And… we’re back to Stalingrad. And now there are sniper duels. Can’t escape this, I guess. There’s an episode similar to Modern Warfare 2020, when you have to sneak around and stab a boss multiple times before he dies. And also there are hard-to-kill machine wielding brutes that came out of Wolfenstein.
Then we’re in Lybia. There are a few fun guns there: ITRA Burst, NZ-41. Nothing ground-breaking, but again, a nice set of missions. Oh, and you get to play with the Warmachine, but only for a few minutes.
Then there’s the Berlin ’45 episode. I mentioned that I like when Call of Duty games switch characters. But that’s the first time they do it mid-mission, and it’s great, actually.
I won’t lament about the game being “too short”. It’s just long enough for me. What I do like is that unlike Call of Duty Cold War it’s a complete story: you don’t need to play 4 more seasons of multiplayer or buy some comics to see it through.
Started listening to the 3rd book of the Wheel of Time. It feels like Jordan was paid for every word.
Here’s a typical “dialog”:
— Can they?
— This is something known only to a few, child, even in the Tower. You should not learn it now, if ever, but I will tell you. There is—a weakness in being able to channel. That we learn to open ourselves to the True Source means that we can be—opened to other things. Calm yourself, child. It is not so easily done.
It is a thing not done, so far as I know—Light send it has not been done!—since the Trolloc Wars. It took thirteen Dreadlords—Darkfriends who could channel—weaving the flows through thirteen Myrddraal. You see? Not easily done. There are no Dreadlords today. This is a secret of the Tower, child. If others knew, we could never convince them they were safe. Only one who can channel can be turned in this way. The weakness of our strength. Everyone else is as safe as a fortress; only their own deeds and
will can turn them to the Shadow.
One character, usually a younger one, asks a simple question, then another character spills that bullshit load of lore on them without blinking. That is not how people talk.
Of course there’s Stalingrad. But I’m not complaining. I like the storytelling approach where we switch between characters, instead of having a single character that is a Mary Sue. Stalingrad is alright, no sniper battles at least.
Then there’s Midway. I don’t know why Call of Duty insist on putting planes in those games. It’s not annoying, but also not very fun.
Then we’re in jungles of Papua New Guinea. Wade for some reason has a “slomo”+”see through walls” focus ability, something other characters lack. Since we’re fighting against Japanese, there’s plenty of exotic weapons, like Type 100 SMG and Type 11 LMG, that requires you to aim with your left eye 😬
Finished first season of Reacher.
It’s nice, if you look at it as another version of Punisher. Not the TV series, I didn’t actually like those. But Punisher as a concept. It’s a story about a huge guy that refuses to die, and solves every injustice by killing everyone who’s unjust.
I couldn’t care less about the childhood memories. Everything else was fine, though. The dialogues are punchy, and the fighting scenes don’t make you cringe.
It’s a sports manga about basketball. The good part is that I at least know basketball rules. It’s rather realistic, there are no broken hoops or burned nets or anything like that. Just high-school basketball.
The protagonist, Sakuragi, is a boastful idiot, though. Which is annoying. Then, there’s the school drama around hooligans trying to bully the players, which I’d rather skip.
With the mounting mechanic, the game feels like Battlefield, may it rest in peace. But I’m not complaining, this makes the campaign far less chaotic. Interesting that you can also mount corners.
The entire game feels like a tribute to Inglorious Bastards, so it’s no wonder that the Nazi villain cosplaying Landa.
From 1945, we jump to 1944, D-Day, but at least not Omaha Beach this time. A paradrop instead. Just a cutscene, really, nothing fancy. We then have a brief stealth episode. Stealth never worked in Call of Duty, because they never bothered with visibility or sound markers or queues. But we’re taught that you can shoot through wooden floors.
The violence is a surprise. A mean, it’s a 2000s level of violence, with heads and arms blown off. I got used to dolls without even bullet holes in them.
I’ve been using Garmin Vivoactive 4 for quite some time. But a couple of months ago, I discovered that Vivoactive 5 was released, so I thought I’d give it a try. It turns out, though, that Vivoactive is now the budget solution that lacks some features like a step counter, and the Venu 3 is instead the upgrade path from Vivoactive 4 moving forward.
Externally, Venu 3 looks very similar to Vivoactive 4. You really need to squint to see the differences: three buttons instead of two, and the bezel is now ridged. The screen is different, though. The technology has moved forward at least there, and now it’s always-on AMOLED. Much brighter and nicer for sure. Sound is back as well.
Which is funny, I had a Casio 20 years ago that had an alarm, but then I moved to Pebble and Pebble Time, which were silent, and to Vivoactive 4, which was silent as well. So it’s the first time in 20 years I hear a watch beep on my hand.
Completed Excavation of Hob’s Barrow.
What a beautiful game.
I like how modern point’n’click adventures respect your time. I suck at those games, I really do. But with this game, I didn’t need a walkthrough once. I didn’t even get stuck for more than 10 minutes. Even at the barrow, when you have to do some password picking, there are plenty of clues, and the password is pretty much written down in front of you.
It is indeed very lovecraftian. It doesn’t try to scare you, though, not directly. There are no “screamers”, and nobody actually dies, imagine that!
An archeologist is invited to excavate a barrow. She discovers that her father, who fell into a coma 25 years ago, is the one that excavated it previously. She’s then told that if she removed the seal that he placed, he will come back to his senses.
But it’s all an elaborate lie, of course. Some of the villagers are interested in releasing the ancient god that was sealed in the barrow, and it seeks revenge. Beautiful story, brilliantly voiced by some great actors.
Completed “I am Pilgrim”. Officially the worst book I’ve read in years.
The only positive thing about this book is that the author shoots in all directions, so to say.
He criticizes EU immigration policies, and failures to expel illegal migrants even with radical Islamist background.
Funny how the book constantly betrays the idea of “show don’t tell”. The reader is constantly told how good of an agent and investigator Scott is. But he’s nothing but. He’s impatient, anxious, arrogant, can’t control his temper, falls for the simplest of tricks and speaks to himself in front of others betraying literal secrets. Almost a parody.
A Lovecraftian point’n’click adventure, similar to Shadow of the Comet. Feels a bit like the Last Door too.
Thomasina, an expert on barrows, is invited to a remote village in the UK to inspect a strange barrow.
Uncharacteristically, there’s is a kind of “Mass Effect dialog system”, where you often have to choose if you want to be pleasant, rude, or to deflect a question or an ask.
You can see this isn’t ScummVM when the character moves to the background. The pixels are too dense, and also the shadows are too modern.
9th bottle from my Advent Calendar, this one is absolutely disgusting. Yes, they sell this stuff that smells like alcohol and tastes just a tad better for 33GBP. But then you could grab heavenly Aberlour for the same price sometimes. So this is just an offence to any whiskey lover, really.
I always thought that New ‘n’ Tasty is just a remaster of Oddworld: Abe’s Odyssey. Turns out it’s a complete remake. I never played Abe’s Odyssey, so I gave it a try as well.
And I think I prefer the remake better.
The game itself is a puzzle-platformer, akin to Another World, featuring mostly defenceless or at least not very heavily armed hero that needs to sneak past or cleverly incapacitate his enemies.
At later stages he also gets the ability to possess enemies, ride a local version of Yoshi and there are also some weird “puzzles” where you need to repeat a sequence of notes after other Mudakons.
One notable feature that the remake didn’t need, though, are particles flying into the camera:
It’s ingenius.
The fact that a book is promoted doesn’t mean it’s any good. This one isn’t.
The hero is a Mary Sue. The youngest in the Service, bla-bla. Shoots his boss because he’s working for the Russians. Gets his job. Yeah, right. Also, he’s the adopted son of a millionaire, so it’s not an issue for him to retire at 30 and do whatever he likes. Like writing the best book about criminal investigation ever. Because why not.
Storytelling is amateurish. The author wanted to tell the story from the first person, but then decided he needed to tell another story from 10 years ago, which is supposed to be based on accounts of interrogations, but contains details nobody would mention, like what was going on in the head of a terrorist, or his soon-to-be dead victims. Amateurish.
After beating all three installments, I decided to try and play against human opponents.
First, even though I already paid for the console and the game, I had to subscribe to PS Plus. Without it, the multiplayer just doesn’t work.
And then… there are no opponents. For the whole evening, I had just two matches with a single opponent. That beat me twice. And the lags were abysmal. For the next evening, I had one opponent, that got disconnected after the first match. I have a feeling I won’t be extending my subscription to PS Plus.